{"id":2706,"date":"2026-02-19T19:32:16","date_gmt":"2026-02-19T19:32:16","guid":{"rendered":"https:\/\/www.v-ron.com\/fr\/?p=2706"},"modified":"2026-02-19T19:51:16","modified_gmt":"2026-02-19T19:51:16","slug":"exposition-landscape-interrupted","status":"publish","type":"post","link":"https:\/\/www.v-ron.com\/fr\/2026\/02\/exposition-landscape-interrupted\/","title":{"rendered":"EXPOSITION: Landscape Interrupted"},"content":{"rendered":"\n

05 avril – 05 juin 2025<\/p>\n\n\n\n

\u201cYi\u201d Gallery, Longquan Wangou Ceramic Art Avenue, Longquan, China.<\/p>\n\n\n\n

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LANDSCAPE INTERRUPTED Veronika Horlik | C\u00c9RAMIQUE ContempORAINE | For\u00cat, FEU & Sculpture Immersive.<\/p>
Les \u0153uvres pr\u00e9sent\u00e9es dans\u00a0Landscape Interrupted<\/em>\u00a0explorent le paysage forestier canadien dans le contexte actuel de l\u2019intensification des incendies de for\u00eat qui marquent profond\u00e9ment notre territoire et notre imaginaire collectif. \u00c0 travers une pratique de sculpture c\u00e9ramique contemporaine, je questionne les transformations environnementales li\u00e9es au feu et \u00e0 la gestion des for\u00eats.
Entre mes mains, l\u2019argile se m\u00e9tamorphose en bois calcin\u00e9, sombre et monumental, \u00e9voquant les d\u00e9bris qui jonchent le sol apr\u00e8s le passage des flammes. Cette mat\u00e9rialit\u00e9 brute et massive dialogue avec une dispersion d\u2019\u00e9l\u00e9ments d\u2019un blanc \u00e9clatant \u2014 flocons, \u00e9toiles et feuilles de porcelaine \u2014 cr\u00e9ant un contraste visuel fort et orientant le regard vers un point focal pr\u00e9cis. L\u2019installation immersive met ainsi en tension destruction et r\u00e9g\u00e9n\u00e9ration, poids et l\u00e9g\u00e8ret\u00e9.
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PR\u00c9FACE DE L’EXPOSITION<\/strong>
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Les \u0153uvres r\u00e9unies dans Landscape Interrupted<\/em> abordent les th\u00e9matiques du paysage forestier canadien dans le contexte actuel de l\u2019intensification des incendies de for\u00eat d\u00e9vastateurs qui ravagent notre plan\u00e8te.<\/p>\n\n\n\n

Entre mes mains, l\u2019argile devient bois calcin\u00e9, sombre et massif, faisant \u00e9cho aux d\u00e9bris qui jonchent le sol apr\u00e8s le passage du feu. En fort contraste, une dispersion du blanc le plus \u00e9clatant \u2014 flocons de neige, \u00e9toiles et feuilles de porcelaine \u2014 attire le regard vers un point focal pr\u00e9cis.<\/p>\n\n\n\n

Dans ma province natale, le Qu\u00e9bec, l\u2019expression \u00ab neige en peau-de-lapin \u00bb d\u00e9signe un ph\u00e9nom\u00e8ne o\u00f9 de larges cristaux de neige touffus plats tombent doucement du ciel, rappelant la douceur et la blancheur du pelage d\u2019un lapin en hiver. Ce temps hivernal est doux, sans vent \u2014 un moment presque magique de suspension et d\u2019\u00e9merveillement. Lorsqu\u2019un flocon se d\u00e9pose sur la manche de votre manteau, il est difficile d\u2019en d\u00e9tourner les yeux avant qu\u2019il ne fonde, tant son motif d\u00e9licatement complexe captive le regard. Dans cet instant bref, vous \u00eates ancr\u00e9 dans l\u2019ici et maintenant, pleinement pr\u00e9sent, lib\u00e9r\u00e9 des pr\u00e9occupations et des pens\u00e9es qui encombrent l\u2019esprit.<\/p>\n\n\n\n

Dans le ciel, une constellation est form\u00e9e d\u2019\u00e9toiles dont certaines sont proches, d\u2019autres plus lointaines, certaines m\u00eame \u00e9teintes depuis longtemps, leur lumi\u00e8re voyageant \u00e0 travers l\u2019espace pour nous parvenir depuis un pass\u00e9 lointain. Ce n\u2019est que depuis notre perspective particuli\u00e8re, ici sur Terre, dans le pr\u00e9sent, qu\u2019elles semblent adopter une configuration signifiante. Nous pouvons envisager nos environnements naturels comme des \u00ab constellations \u00bb, porteurs d\u2019un message sur ce qui a \u00e9t\u00e9, ce qui est devant nous et les r\u00e9g\u00e9n\u00e9rations possibles \u00e0 venir.<\/p>\n\n\n\n

Cr\u00e9er des \u0153uvres qui me confrontent physiquement, \u00e0 l\u2019\u00e9chelle de mon propre corps, est mon format privil\u00e9gi\u00e9. Je souhaite que le travail interpelle le spectateur de mani\u00e8re similaire.<\/p>\n\n\n\n

\u00ab Le plus lourd des fardeaux est l\u2019image de l\u2019accomplissement le plus intense de la vie. Plus le fardeau est lourd, plus notre vie se rapproche de la terre et plus elle devient r\u00e9elle et v\u00e9ridique. Inversement, l\u2019absence absolue de fardeau rend l\u2019homme plus l\u00e9ger que l\u2019air, l\u2019\u00e9loigne de la terre et le rend \u00e0 moiti\u00e9 irr\u00e9el, ses mouvements \u00e9tant aussi libres qu\u2019insignifiants. Que choisir alors ? Le poids ou la l\u00e9g\u00e8ret\u00e9 ? \u00bb (Milan Kundera, L\u2019Insoutenable l\u00e9g\u00e8ret\u00e9 de l\u2019\u00eatre<\/em>).<\/p>\n\n\n\n

Au-del\u00e0 d\u2019une simple opposition entre le \u00ab poids des fardeaux \u00bb et la l\u00e9g\u00e8ret\u00e9 d\u00e9tach\u00e9e, je cherche, \u00e0 travers les paysages forestiers canadiens, \u00e0 imaginer ce qui pourrait advenir si une perspective inclusive \u00e9tait adopt\u00e9e \u2014 une perspective o\u00f9 notre existence pesante coexisterait avec la l\u00e9g\u00e8ret\u00e9 et l\u2019attention consciente d\u2019une neige \u00ab peau-de-lapin \u00bb.<\/p>\n\n\n\n

La po\u00e9tique c\u00e9ramique de Veronika engage un dialogue avec la tradition mill\u00e9naire du c\u00e9ladon de Longquan. Sa transformation de l\u2019argile en \u00ab bois \u00bb calcin\u00e9 en c\u00e9ramique fait \u00e9cho \u00e0 la sagesse ancienne des artistes du c\u00e9ladon \u2014 ces deux processus t\u00e9moignent d\u2019une renaissance m\u00e9tamorphique (\u00e0 travers le feu du four \u00e0 1300 \u00b0C) de la terre au c\u0153ur des flammes. Tout comme les craquelures glac\u00e9es du c\u00e9ladon continuent \u00e0 se fissurer subtilement pendant des d\u00e9cennies apr\u00e8s la sortie du four, dans les crevasses des sculptures de bois calcin\u00e9 pr\u00e9sent\u00e9es dans l\u2019exposition, de nouveaux r\u00e9cits de vie prennent silencieusement forme.<\/p>\n\n\n\n

\u00ab J\u2019ai choisi de venir cr\u00e9er \u00e0 Longquan parce que cet endroit est le berceau de l\u2019innovation c\u00e9ramique depuis l\u2019Antiquit\u00e9. En \u00e9tudiant les min\u00e9raux de gla\u00e7ure pr\u00e8s des vestiges des anciens fours, j\u2019ai eu l\u2019impression de toucher la pers\u00e9v\u00e9rance des artisans d\u2019autrefois, qui exp\u00e9rimentaient sans rel\u00e2che l\u2019argile et les gla\u00e7ures. Aujourd\u2019hui, je poursuis moi aussi cette exp\u00e9rimentation, observant et capturant les transformations des p\u00e2tes et des couleurs de gla\u00e7ure dans les feux des fours de Longquan. En ce lieu, je souhaite prolonger l\u2019esprit d\u2019exploration et d\u2019innovation port\u00e9 par les habitants de cette terre. Le sol, l\u2019eau et les feux de Longquan sont des symboles spirituels de la continuit\u00e9 de la civilisation, permettant un dialogue \u00e0 travers le temps et l\u2019espace par la gla\u00e7ure c\u00e9ladon et la mati\u00e8re argileuse \u2014 preuve que la tradition n\u2019est pas un h\u00e9ritage fig\u00e9, mais une entit\u00e9 vivante qui continue de cro\u00eetre et d\u2019\u00e9voluer. \u00bb<\/p>\n\n\n\n

Veronika Horlik<\/p>\n<\/div><\/details><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

05 avril – 05 juin 2025 \u201cYi\u201d Gallery, Longquan Wangou Ceramic Art Avenue, Longquan, China. LANDSCAPE INTERRUPTED Veronika Horlik | C\u00c9RAMIQUE ContempORAINE | For\u00cat, FEU & Sculpture Immersive. Les \u0153uvres pr\u00e9sent\u00e9es dans\u00a0Landscape Interrupted\u00a0explorent le paysage forestier canadien dans le contexte actuel de l\u2019intensification des incendies de for\u00eat qui marquent profond\u00e9ment notre territoire et notre imaginaire […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-2706","post","type-post","status-publish","format-standard","hentry","category-nouvelles"],"yoast_head":"\nEXPOSITION: Landscape Interrupted » Veronika Horlik<\/title>\n<meta name=\"description\" content=\"» EXPOSITION: Landscape Interrupted Ne manquez pas les derni\u00e8res nouvelles de l'artiste Veronika Horlik\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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